Naer Mataron have always been among the elite of Greek black metal. Since their inception, back in 1994, the band has always been in constant evolvement, straying far from their first _Up From the Ashes_ album, which drew heavily from the typical Hellenic sound, to their monumental _Skotos Aenaon_ and from there on to the more technical and innovative North-isms of their latest opus. _Discipline Manifesto_ is what you might call the fruition of all their hard work, where they manage to coalesce a number of musical influences -- although limited, I have to say -- into a devastating powerhouse of hate-reeking music.
The
music as such can be described as having a firm grounding on the Burzum
/ Darkthrone diptych from which it branches into various other black
metal 'schools', from Hellenic mid-tempo riffing to the faster and
harsher Swedish approach of Marduk and Thy Primordial fame. The Greeks
score highly on the guitar work factor; I have to say that the finishing
riffs that Morpheas cranks up on some of the tracks are among the best I
have heard coming from a black metal album. "The Day Is Breaking" is
such an example, where the song initially paces on mid-tempo rhythms,
then gathering up gradually on faster and faster passages before the
momentum escalates on the final riff-driven segment, and what a riff
that is! I still find myself humming that part over and over again.
"Last Man Against Time" also cranks up its own good share of sweeping
riffing which could have easily sprouted from Darkthrone's better days
when injected with a good amount of black metal-ala-Sweden serum.
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